Art
Portland Art Museum Tactiles (2024)
After a warm reception for my first collection of tactile pieces at the Portland Art Museum, I had the opportunity to create two additional tactile pieces for traveling exhibitions visiting the museum.Skeleton & Roses, Stanley Mouse and Alton Kelly (1966)
The final piece is accompanied by a smaller version of the tactile graphic with braille labels for all of the text found in the original poster. In addition to providing a braille transcription, the smaller graphic also helps readers receive a quick overview of the full image, which can help them interpret the larger graphic.
Self-Portrait. London, 1963. Paul McCartney (1963)
Portland Art Museum Tactiles (2023)
In 2023, I was asked by the Portland Art Museum to create tactile versions of four pieces in their permanent collection. You can read more about the exhibit on the museum's Sensing Art page. I also wrote a short article about this project for Paths to Literacy.
Wait and See, 13.12, f&d cartier (2013)
Aks (Water), Kari Morgan (2021)
Monstro the Whale, Thelma Johnson Streat (1940)
Watermelon Portraits, Christine Miller (2022)
MC Escher Puzzles
Circle Limit IV (Heaven and Hell), 1960
Mosaic I, 1951
Created as puzzles so that shapes can be explored individually and as a whole. By printing the light and dark pieces at slightly different heights, the complete image can be easily explored.
Louis Wain
Kaleidoscope Cat III
The cat at the center of this piece is lowest surface with details of the cat's fur and face slightly raised. A jagged, repeating outline radiates around the cat. These radiating lines are raised to various heights so that the pattern can be explored tactilely. The various heights also allow for printing with multiple colors. This print has 8 different colors.
Cat
A simple image of a black cat on a white background with a Louis Wain signature.